THE AMISH PROJECT is a “gutsy little production” and “There is much to admire in this well acted and directed production…In a violent world, The New Ensemble delivers provocative theater.”
“Go see The Amish Project! Major kudos to Heather Parish and The New Ensemble for this breathtaking show. In the wake of so many mass shootings, I think it’s easy to become desensitized. This show made the tragedy of those events intensely personal but at the same time presented a broader view of what humanity really is and how to forgive. It’s a must-see!” – Nikki Valentine
‘The Amish Project’ explores the themes of forgiveness and compassion. The solo performance by Kristin Crase, who played 7 different roles was mesmerizing. I know there is a lot of theater out there, but this is one you won’t want to miss.” – Anita Morris
“Kudos to Kristin on her FANTASTIC one-woman show, The Amish Project. A thought provoking piece of theatre that explores forgiveness in a moment of absolute horror in a community. Today’s tragic events in Paris made this production that much more relevant. Congratulations again to Kristin and to Heather and thank you for bringing this important piece to the valley! Go see this show. Seriously.” -Miguel Gastelum 11/13/15
” It was so well-played and moving. I’m not often moved to tears by a play –jaded theater professor that I am–but that ending got to me, which says something about the non-sentimental writing AND the performance.” -Julia Reimer, professor of theater at Fresno Pacific University about The Amish Project.
“What a moving, thought-provoking, amazingly timely piece of theatre. Thanks to you both for this!!!” -Joel C Abels, artistic director of StageWorks Fresno about “The Amish Project”
As the debate rages on about how to respond to violence and “evil” in this world, The New Ensemble’s current play, The Amish Project, offers an idea…forgiveness.
In this one-woman show,Kristin Crase embodies seven characters that we journey with as they experience the tragedy and grace surrounding the Nickel Mines Amish School Shooting of 2006. For those who are not familiar with this story: In 2006, a gunman entered an Amish one-room schoolhouse, took hostages before shooting ten girls, killing five, before committing suicide.
In my opinion, there are three central themes the play explores: grace is as hard to accept as it is to extend, extending grace is an exercise of one’s faith, and we all have in us, the ability to do good and evil.
After any tragedy a couple of questions come to the surface, like where was God? And why did this happen?
Somewhere in the mix, politicians (professional and amateur alike) grandstand to advance their personal beliefs or agenda, and often we are drawn to conclusion that such events could only be done by an evil person. This play helps us to understand that the world is not so black and white. We all have in us something, that when stretched to its breaking point, might be considered evil to someone else.
Fortunately, we also all have in us, the ability to move beyond human nature and offer grace from somewhere deep in our heart, when the world whispers vengeance in our ear.
The play doesn’t seek to answer the “why” question. In fact, the shooter’s character is upfront with the audience that he’s “more than the why”…and he’s right. All of the lives affected by the tragedy are “more than the why.” And to the surviving family members the “why” doesn’t matter. No amount of justification or reasoning will bring back their loved ones. So all they are left with is, “how do I respond?”
Without giving too much away, in the majority of the play we see Carol Stuckey, the shooter’s widow, experience backlash from the community until one fateful night when members of the Amish community arrive at her home. Carol’s internal battle in that moment reminds me of Javert’s (Les Miserables) struggle to live in a world where someone can offer abundant grace and where it is difficult to accept that grace. The one-actor nature of the play reinforces the idea that at any moment one can be any of these characters.
Finally, in the most moving scene, the audience sees the other side of the forgiveness decision. A man, whose daughter was killed in the shooting, sits alone in his home. Through the eyes of his daughter, we get a glimpse of the internal struggle to offer forgiveness to the Stuckey family. I got the sense that his struggle was not “why me”, rather it was “I need help to do the impossible”. Although, the audience never hears from him, his act of forgiveness is it’s own character.
So, again we come back to the question “where was God?”
God is here…keeping looking.
It should come as no surprise thatThe New Ensemble produced such great piece. Heather Parish and the New Ensemble are consistently choosing and producing relevant and thought provoking plays. If you want more art in Fresno that challenges you, please support the group by going to see this play this week. Shows are Thursday, Friday, and Saturday at 8pm.